Now on view:
Autonomy Lost and Regained: The Ukrainian Orthodox Metropolia of Kyiv, 1633-2019
For people following the news from Ukraine in 2019 who were unfamiliar with the history of the Orthodoxy in Ukraine, the grant of autocephaly to the newly reorganized Orthodox Church of Ukraine by the Ecumenical Patriarch of Constantinople may have seemed like a radical innovation or a historical rupture. Or they may have simply been baffled by all of the fuss.
In fact, the events of 2019 were not so much a rupture as a re-connection. Rather than a radical innovation, it was the culmination of over a century of determined effort.
This exhibition tells the story of the long path from the extraordinary flowering of the Kyivan Church under Petro Mohyla and his successors in the middle of the 17th century, through the incorporation of the Kyiv Metropolia into the Moscow Patriarchate, and finally to the struggles for the renewal of local autonomy during the 20th and 21st centuries. It also explores the centuries-long fraught relationship betweek Kyiv and Moscow, how that relationship played out in the sphere of religion, and how those events related to the surrounding cultural and geopolitical forces. It includes liturgical textiles from the 17th to the 19th centuries, as well as artifacts, documents, and photographs from the 1910s to 2019.
This exhibition is accessible online, as well as in person. The online and in-person versions tell the same story, but they are not identical: the in-person version has items that are not online, and the online version has additional explanations and context.
The in-person exhibition can be viewed in the UHEC Library Gallery. Hours are currently by appointment only, until the buildings are fully re-opened post-COVID. Please stay tuned for updates.
While the Center's new museum building is under construction, we are presenting exhibits in the Library Gallery.
This gallery occupies the location formerly used by the UOC of USA bookstore, and has been completely refurbished for use as a gallery, including the installation of museum-grade UV absorbing film on the windows to protect the displayed artifacts from sunlight damage.